‘House of Gucci’ is more off-the-rack than chic, but that’s kind of the point
Ridley Scott, the revered director of cinematic classics like Alien and Blade Runner, has predominantly defined himself with gritty tales…
‘Ghostbusters: Afterlife’ and the ghastly cynicism of IP mining
Like the specters and ghouls that dictate its title, Ghostbusters: Afterlife, the vapid legacy sequel to the 1984 slacker comedy…
‘King Richard’ and the toil of the so-called American dream
Obligated to distill the notable events of their respective subjects’ lives, biopics are often arduous, struggling to weave in deeper…
Despite its pedigree, ‘Eternals’ is frustratingly finite
Before she was recruited to craft the next product in the corporate assembly line that is the Marvel Cinematic Universe,…
Walking on the wild side: A review of BEASTARS
Content warning: Beastars heavily deals with sexual themes, implications of rape, gang violence, homicide and mutilation. Read this review and…