‘Ghostbusters: Afterlife’ and the ghastly cynicism of IP mining
Like the specters and ghouls that dictate its title, Ghostbusters: Afterlife, the vapid legacy sequel to the 1984 slacker comedy…
‘King Richard’ and the toil of the so-called American dream
Obligated to distill the notable events of their respective subjects’ lives, biopics are often arduous, struggling to weave in deeper…
Despite its pedigree, ‘Eternals’ is frustratingly finite
Before she was recruited to craft the next product in the corporate assembly line that is the Marvel Cinematic Universe,…
‘Last Night in Soho’ is aesthetically striking but fundamentally misunderstands its subtext
How does a filmmaker evolve that divine essence that separates enduring storytellers from a finite set of gimmicks? Hollywood has…
‘Halloween Kills’ and the tragedy of overwrought mythology
The phrase “Evil dies tonight” is uttered an exhaustive number of times in Halloween Kills, the toothless second chapter of…